By now you know we teach stained glass, right? I go on about it often enough!
Well, one of the reasons we teach (aside from wanting to share the craft we’ve become passionate about!) is that we often hear from would-be stained glass artists who’ve gone out and bought tools and glass and materials and then found they just couldn’t make it work.
They cut themselves to shreds, their pieces didn’t fit together, they wasted loads of expensive glass, their soldering was lumpy and ugly, or their fledgling abilities just didn’t develop.
Net result – most of them gave up.
We had the benefit of a day’s class when we were starting. We had no idea what was required, where to begin, what tools were needed – we just knew we wanted to find out if we liked it, and if we might show any early promise!
It could have been so different – Lord knows it’s sometimes a frustrating craft!
However, decent tuition, access to the right tools, and the desire to learn from someone clearly very skilled set us off in the right direction.
Fast-forward 5 years and we’re making commissions, selling through galleries and teaching. Why?
Coming from marketing and PR backgrounds, we both felt that we were good communicators, and we’d been on a very steep learning curve. So as we began to field questions from people who wanted to try, or who’d tried and given up, we set up our first class.
Crikey – that was hard work! And the investment – we decided that 6 was a good number of students so we needed 6 sets of tools. And you may already know, a complete set of tools costs about £150 per person, not including a grinder. And don’t forget the glass – we get through a lot!
We hooked up with a local gallery with spare workshop space (thanks Sally!) and set some dates. Luckily we found enough students (that always seems like the wrong word!) and set off on our journey.
We did a lot of planning, a lot of cost analysis to be sure we knew how long and how many classes it would take to repay the investment in tools and glass. And we sweated over the lesson plan and rehearsed, and tested.
The comments we had back after our early sessions encouraged us to carry on. We now run 13 or more sessions a year, some at an intermediate level now that we have students who are keen to progress to making bolder and more ambitious pieces.
As an example of the type of comment that led us to develop our programme, here’s one from an early student:
2009 hasn’t been the best of years for me but I can truly say that this one day was my real highlight. Your passion for the subject really shone through and your professionalism in guiding us in all the task was amazing. I am delighted with the pieces I made. I suspect my husband actually thought I’d bought them!
So the message here is – if you’ve struggled to make the glass work for you, if you’ve become frustrated at lack of progress, or you want to find out what stained glass is all about before you jump in, get some tuition – for two reasons:
one – you might save a lot of money on tools if you don’t enjoy it!
two (much more likely!) – starting off with someone to show you the basics and to offer constructive feedback might get you totally hooked, like it did for us!
three – knowing someone in the trade, and being able to ask them how they got started, and what they found hardest at the beginning is great background info and reassurance
I’d love to find out how you got started, or even what made you give up.
We might be able to offer some advice!
I’m considering running a tips and tricks column on our stained glass website, or in our monthly newsletters, or on this blog.
I’d like to know if this would be useful to you – leave a comment and let me know.