Tag Archives: workshop

Glass Fusing – what’s it all about? Fusing Workshops at Vitreus Art….

Here at Vitreus Art we offer many different types of glass fusing workshops and we know it can be a little daunting to know where to start your glass fusing journey, but we are here to advise.

Primarily we use the same materials in each workshop, the difference comes on how you layer up your glass and then fire it in the kiln.

Glass Fusing for Beginners

Although, we are happy to teach all our workshops to beginners, the one that we believe is the best starting place, is our ‘Glass Fusing for Beginners’ (formally known at Vitreus Art as Fusion/Inclusion).

On this one-day workshop you will learn not only how to create some lovely pieces of glass art; but we will also teach you the basics of how the glass behaves in the kiln, and more importantly what glass fuses with what glass – you may be surprised to learn that not all glass is the same!

A question we get asked a lot is, ‘Is it just glass that you can fuse together?’, the simple answer is ‘no’, but there are things you do need to know, you can’t just put any old thing into your glass!!

Introduction to glass fusing – Fusion-Inclusion

Take a look here to see everything that is included in our ‘Glass Fusing for Beginners’: Vitreus Art Glass Fusing with Vitreus Art (vitreus-art.co.uk).

 

 

 

 

 

 

 

Tack-Relief Glass Fusing for Beginners

If you fancy adding texture to your glass art (JT’s favourite), then you might like to try our ‘Tack Relief’ workshop. We work with the same materials as on our ‘Glass Fusing for Beginners’, but this time we only work with one layer of base glass.  In addition, we will also work with coloured sheet glass, so you will add glass-cutting to your skill set – always a helpful thing to know when working with glass. It’s not as scary as it looks once you have been taught how.

Vitreus Art Fusing workshops - Tack Fusing
Tack-Relief Fusing – learn to make glass art with relief

More information on our ‘Tack Relief’ workshop can be found here: Vitreus Art Glass Fusing Tack Relief (vitreus-art.co.uk)

 

 

 

 

 

 

Fused Glass Slumping for Beginners

Glass Slumping’  is like our ‘Tack Relief’ workshop, but we then add a 3d dimension to our work. The starting point for this is a 30x30cm sheet of fusible glass, and you can decide if you want to make one large piece, a large bowl or platter, or we can cut the glass into smaller sections and you could make several pieces, the choice is yours.

Vitreus Art glass fusing workshops - Slumping
Fused Glass waves – make two of these on our 1-day workshop in Slumping

Click on the link to find out more Vitreus Art Slumped Glass Fusing Workshops (vitreus-art.co.uk)

 

 

 

 

 

 

 

 

Fused Glass Lanterns, Pocket Vases, Tealight Holders, Fused Glass Jewellery

If you are looking to make something that is a functional piece of glassware rather than a piece of artwork, then look no further than these classes: –

Fused Glass LanternVitreus Art Fused Glass Beginners Classes – Make a Lantern (vitreus-art.co.uk) this one is similar to the ‘Tack Fusing’ workshop with lots of lovely texture,  but you get to make something that will give lovely light in your room and/or garden.

Vitreus Art glass fusing workshops - Fused Glass Lantern
Decorate a lovely lantern in one day

 

 

 

 

 

 

 

 

 

Tealight holders & Pocket Vases – If you fancy having a go at glass fusing and don’t have the time to devote a whole day then these two might be up your street.

Vitreus Art glass fusing workshops - Fused glass Tealights
Fused Glass Tealight holders – make 4 in half a day
Vitreus Art glass fusing workshops - Fused Glass Pocket vases
Pocket Vases – make four sweet water-tight vases in half a day

 

 

 

 

 

 

 

 

 

Vitreus Art Tealight Holders Glass Fusing Workshops (vitreus-art.co.uk)

Vitreus Art Pocket Vases Glass Fusing Workshops (vitreus-art.co.uk)

These two workshops are run as a morning or afternoon session, so if time is tight these will be a perfect fit for you. Or if you want to try your hand at glass fusing, but not quite sure, these will give you a little taster.

Fused Glass Jewellery workshop where you create pieces of glass art that are wearable – Vitreus Art Fused Glass Jewellery Making with Jenny Timms (vitreus-art.co.uk) this is similar to our ‘Fusing for Beginners’, just on a much smaller scale.

 

 

 

 

 

 

 

Pebble Bowls made from Fused Glass

Pebble Bowl – (For me, JT) a pebble bowl is more a piece of art than a useable item, but if you wish to use yours than it would work perfectly as a fruit bowl or similar, not great for holding your soup though!!

Vitreus Art glass fusing workshops - Pebble bowl
Fused Glass Pebble Bowl – made over 3 sessions

This workshop is run over a course of 3 sessions of  2.5 hours, the first session you create your glass sheets of colour, 2nd session your can let go of all your inner tension and have a smashing time with the hammer and your glass. All the smashed glass goes back into the kiln to make your ‘pebbles’. On the final session you will take the time to carefully place your pebbles in the mould, to create you bowl!

Vitreus Art Pebble Bowl Glass Fusing Workshops (vitreus-art.co.uk)

These bowls are things of beauty – not sure I’d be putting anything in mine (just saying).

Screen Printing on Glass

A new workshop to Vitreus Art for 2022 is our ‘Screen Printing on glass’, here we get to use glass powders and stencils to create 2 or 3 dimensional images on to sheet glass.  Most of the work for this class is in the preparation in creating your own stencils Screen Printing with Fused Glass workshop with Vitreus Art (vitreus-art.co.uk)

Vitreus Art glass fusing workshops - screen printing on glass
Screen Printing on glass – a new workshop at Vitreus Art

 

 

 

 

 

 

 

 

 

New workshops – fusing with Float Glass

Mike is also venturing into the glass fusing arena – he has now expanded his glass range to include a different type of glass to that used in many of our fusing workshops.

Using ‘Float’ glass Mike is now offering Glass Fusing workshops in:

Vitreus Art glass fusing workshops - Fused Glass Flowers
Fused glass flowers – make 2 over two evenings ready for planting

Glass FlowersFused Glass Flowers – Vitreus Art Glass FusingCourse for Beginners (vitreus-art.co.uk)

 

 

 

 

 

 

 

 

Ocean WaveFused Glass Ocean Wave Making workshop with Vitreus Art (vitreus-art.co.uk) we have a feeling this is our most popular fusing class currently!

Vitreus Art glass fusing workshops - Ocean Wave art on wooden base
Fused glass ocean wave on wooden base – all materials provided, including the base!

 

 

 

 

 

 

 

 

And Christmas Decorations too –

 

Vitreus Art Glass fusing workshops - fused glass icicles
Fused glass icicles – make up to 6 in one easy evening session ready for Christmas

Fused Glass Icicle Christmas Decorations Making workshop with Vitreus Art (vitreus-art.co.uk)

Fused Glass Christmas

Vitreus Art glass fusing workshops - Fused Glass wreath
Fused Glass wreath made in half a day (or an evening)

Wreath Making workshop with Vitreus Art (vitreus-art.co.uk)

 

 

 

 

 

 

 

 

 

 

 

Fused Glass Sunflower

Mike and I are very lucky to know some very talented glass artists, and we have invited one of them, Roger Loxton, to come and teach the fused glass ‘Sunflower’ workshop here at Vitreus Art.

Roger has been creating these sunflowers for some years now and they are always a hit in the gallery. So, we thought we would give those of you who wish to try making your own the opportunity Fused Glass Sunflower workshop for Beginners with Vitreus Art (vitreus-art.co.uk)

Vitreus Art Fusing workshops - Fused Glass Sunflower
Fused glass sunflower – created from scratch over two days

You will learn how to cut glass (if you don’t already know), one the first day you will make the centre of the sunflower, and this will be fired overnight and will be ready for the next day. On day 2 you will cut our all your petals and assemble your sunflower ready to go into the kiln.

 

 

 

 

 

Longer courses in glass fusing

For those of you who would like to jump in the deep end, we run a 6-week evening course. The first 3 weeks are spent learning several different techniques in glass fusing and the final 3 weeks are spent creating your own glass fused project using the skills you will have learnt in the first 3. Vitreus Art Glass Fusing Intensive Evening Course for Beginners (vitreus-art.co.uk)

Vitreus Art Glass fusing workshops - 6-week Glass fusing evening course
Fused glass bowl made on our intensive fusing evening course

 

 

 

 

 

 

 

Finally, for those of you who have done some glass fusing before, whether it be at Vitreus Art or elsewhere we are running our ‘Turning up the heat’, two-day intensive workshop.

If you are possibly thinking about purchasing your own kiln, but not sure where to start, or find it a bit daunting when you have looked then this course might be the one you need before making that large purchase. Or if you have purchased your kiln, but it’s just sitting in the corner of your studio as you are too scared to plug it in, or not quite sure how to programme it!!

Vitrgeus Art glass fusing workshops and courses - 2 day fusing course for improvers and intermediate learners
Turning Up the Heat – 2-day intensive glass fusing course

This workshop is taught by both Mike and Jenny (me). Mike will give you a good grounding in all things technical from the kilns to how and why glass behaves at different temperatures, whilst Jenny will run you through the pretty stuff along with the how’s are wherefores of how to prepare your kiln before firing it up. We will work on small projects making notes of what we are doing and why, and what part the kiln plays in the process.

 

 

 

 

We hope this has helped you decide on which course would be best for you, but if you do still have any questions, please don’t hesitate to contact us.

 

What do you get for the woman or man who already has everything – apart from somewhere to keep it all?!

What do you get for the woman or man who already has everything –  apart from somewhere to keep it all?!

Most of us have wrestled with this question ourselves, or will do at some point.

There’s an understandable resistance nowadays to buying more stuff – many of us of a certain age have the things we want or need – and we may have a finite space to accommodate more.

Certainly my own little country cottage is already pretty full!

What many of us increasingly value is new experiences – and especially ones that stretch our creative minds.

Just a couple of years ago a study by Deloitte announced that spending on what it defined as ‘leisure experiences’ was outstripping retail spending by almost 50%, and was growing at 5% a year in the UK – noticeably faster than any growth in the UK’s overall economy.

And as some wallets get tighter, spending on leisure pursuits remains important to many – defying expectations from some.

One of the growth areas in what might be classed as ‘leisure experiences’ is the creative course or holiday.

Course providers (and this tallies with our own findings at Vitreus Art) are reporting that bookings for creative activities, especially ones with a defined outcome – like a hand-made object, or a series of paintings – are increasing year on year, despite a general gloominess on the high street.

Perhaps this signals that shift away from shopping being a leisure activity in itself and towards a wish for more fulfilling leisure time?

Speaking to students who’ve attended craft courses at Vitreus Art we hear observations like “I’ve never made anything by hand before and I didn’t expect it to feel so good” or “I love being able to switch off my phone and tune out distractions while I’m learning new skills.”

Inhabitants of most large towns and many small ones are well-served with places to discover the satisfaction of an artistic or craft activity – there are craft workshops and art schools in or near all the larger towns in the area, with many smaller independent art schools and course providers.

It doesn’t have to be gentle crafts like card-making or needlework either: we know of glass blowing studios, blacksmiths’ forges and chainsaw sculpting courses in our area too!

At the Vitreus Art craft & art studio, you’ll find stained glass courses including traditional and modern styles and glass fusing classes using a kiln to melt and manipulate glass into unique pieces of art.

You can also discover the remarkable properties of Precious Metal Clay, allowing absolute beginners to create their own pieces of 99% pure silver jewellery.

Students keen to develop their painting and drawing will benefit from our tutor Clare Tebboth’s lively teaching style, producing work to a high standard while having fun!

And there’s always glass work being created and local art on show at the working studio and gallery.

Vitreus Art is located at Bell Plantation, just off the A5 near Towcester, Northants, UK. On site you’ll also find the Bell Café, garden centre, and a number of other independent retailers with plenty of free parking.

So if you’d like to buy a gift for someone who already has everything, or discover the long-lasting satisfaction of making your own piece of art, visit the studio in person or online at www.vitreus-art.co.uk/classes.

Make 2022 the year you exchange buying more ‘stuff’ for an unforgettable creative experience!

Make your own stained glass column lamp – a new 2-day workshop with Vitreus Art

A finished lamp, made to one of the designs we offer on our 2-day workshop

There are few stained glass projects more satisfying than making a piece that’s decorative and practical at the same time!
Our established stained glass mirror workshop gives you a chance to experience this joy for yourself in a beginner-friendly environment.

And now, after quite a bit of planning and thinking and experimenting, we’ve developed a new workshop – 2 days to make your own stained glass column lamp.
We’ve decided to go for a column lamp design for a couple of reasons – it’s a cool, modern design that suits contemporary home decor moods, and it’s a practical project for a beginner with two days to spend, and no prior experience.

That doesn’t mean it’s easy to make a lamp like this though – there are some challenges to overcome, and that’s what this workshop is all about!

Firstly, cutting your glass. For lamps, one generally uses opal glass – it conceals the lamp and gives a pleasing, diffused illumination. However, the partial opacity of opal glass means cutting on top of the deisng (how stained glass is usually cut) doesn’t work as the design’s cut lines are indistinct, or more likely, invisible!

Cutting glass using a lightbox – essential for accurately cutting opal glass

This is where the lightbox comes in, as the photo shows. Make sure the lightbox you use is sturdy enough to use as a cutting surface, like the ones we use in the studio. Most art lightboxes won’t be – they’re designed to be used for tracing.

It’s essential to make sure all the sides of your lamp will fit together precisely too. This depends partly on the accuracy of your glass cutting, and how you set up your sections when grinding.
This workshop will share all of these techniques with you.

 

 

Using jigs is the way to make sure all the sections of your lamp will fit together properly!

Take a look at how I’ve set up my grinding and soldering jig here – using pins and aluminium strips to ensure the sides of my lamp sections are parallel, and that the sides end up the same size!
I used this when grinding the glass, and then again when soldering.

All our stained glass classes for beginners include an emailed PDF info pack, sharing with you where you can buy tools, glass and hardware. Many of our students have gone on to set up their own studios and have told us this information was invaluable to them, along with our advice – provided free to anyone who’s attended one of our classes!

 

Now – soldering your pieces together.
This is where things get a bit trickier! It’s not possible to solder foiled glass unless it’s horizontal. Just a moment thinking about how lamps are made up of several ‘sides’ joined togther and it’s clear that some arrangement to hold the pieces together while soldering is needed.

Supporting all the sections when soldering them togther – we make our own jigs for this

This is where a jig comes in!
We make all our own kit like this – you may find something suitable online if you don’t have the resources to make your own kit.

The jig needs to perform two functions – holing sides together to allow them to be soldered on the outside, and then to hold them for soldering on the inside.
The jigs we use do both tasks to make life simpler for our students – and ourselves!

Soldering a lamp like this takes a bit of skill, and rather more patience.
Over the years we’ve been teaching lamp-making on our extended courses we’ve developed some techniques that take some of the worry out of this essential stage.
We share these on our workshops of course, and the aim is for each student to finish up with a well-soldered lamp.

The next stage – soldering a brass ‘spider’ gives the lamp more strength, and a means to mount the lamp holder.

For the lamps made on our 2-day workshops we update this with a modern, low-energy LED lamp, which we provide.
The skills and techniques are the same though, so if you fancy making a different type of lamp, you’ll know how to approach it.

The next stage is to patina the lamp – giving a finish that’s a blend of traditional and modern – enhancing the look and making the solder lines look smoother too.

And then it’s time to mount the lamp on to its base. We provide a stained wooden base to finish off the lamp, and conceal the bottom edges of the glass sections.

Want to have a go yourself on our lamp-making 2-day workshop?
This link takes you the page on the Vitreus Art website where you can check out the details and book your place.

Happy lamp-making!

Mike – Vitreus art

 

 

 

 

 

 

 

So you’d like to really get in to making stained glass?

There’s no question – stained glass can be beautiful to look at and enjoyable to make.

The popularity of Vitreus Art’s one-day beginners classes tells us that there are plenty of you out there who fancy having a go.
And the fact that our 5-day courses sell out each year suggests that some of you want to develop your skills or work on substantial projects in a learning environment.

So what advice would we give to someone aiming to build on basic skills, and what learning progressions are available to the student?

We know from our own experience, and from observing how some of our own students have progressed, that there are three areas to think about when discussing this sort of learning process.

  • What do you want to achieve?
  • Learn by doing, but with feedback
  • Design your own projects

Let’s look at these in turn, starting with…

 What do you want to achieve?

We often ask our students this – it’s a great way to open any conversation with a student and the range of answers is wide!

For example, some are considering getting in to stained glass as a lifestyle business; I guess they’ve seen our fleet of Lamborghinis outside the gallery and correctly guess stained glass is a path to riches!

Others seek a stimulating artistic hobby, while others yet have a specific project – replace a window in their home is a common project.

The other aspect to this question is – how good do you want to get?
Good enough to make that window, good enough to sell work at galleries or craft shows, good enough even, to make a living?

It’s eminently possible to have fun making stained glass without some higher purpose, and really – you can get as good as you want.
But to get to a standard where you can sell your work – that takes more practice.

It’s also necessary to have an understanding of failure modes so that you don’t sell pieces that will fall apart.
A common issue of this kind is soldering hanging loops to the foil on the edge of a piece; it won’t be long before the foil comes away from the edge of the glass as there’s only the adhesive on the back of the foil to keep it there, and that ain’t that strong!
Better to solder your loops in to a bead (a solder line between two adjoining glass sections).

Or for leaded pieces, a long stretch of U came around the edge of a piece with no joining H cames will also come away from the edge of the glass, no matter how well cemented. Again, don’t solder hanging loops to these cames. Solder them to corners, or to H cames where they meet an edge came.
And we suggest you use silicone glue to secure that long piece of U came to the edge – like on a mirror, for example.

These sorts of tips are often shared in our workshops – we’re always happy to exchange ideas and make suggestions.

If your goal is more lofty than just ‘I want to make glass for fun’ then some business acumen is desirable – and if you’d like to make a living creating glasswork then it’s essential, along with marketing, accounting and selling skills. A realistic perspective on how good your work currently is will help in the long run, even if it seems a bit harsh right now.

Take a look at the work on sale at good craft shows, watch other artists at work if you can (open studios are a good opportunity for this), and ask questions. How does the design, execution, presentation of the pieces you’re looking at compare with yours? Better? In what ways?

Be honest with yourself and don’t be disheartened to discover you’re not there yet – every successful artist and craftsperson had to start as a beginner!
Like all artists, Jenny and I made plenty of pieces while we were novices that wouldn’t pass muster. Even now, sometimes a piece doesn’t work out well enough to sell, but luckily that’s rare or we’d go out of business!

And this follows on to the next element – getting good enough to sell your work if that’s what you want to do, or good enough to make a window that doesn’t let in the rain!

Learn by doing, but with feedback

We’ve been watching the rise of the distance-learning programme for art and craft subjects for some years now.

Indeed, we’ve often thought about setting up our own online course – a structured system with pre-designed projects, each designed to help the student work on a particular aspect of stained glass. Maybe we’ll actually run a course like this one day!

For now, though, there are a few questions we don’t have answers to.

How does the student get real-time feedback on their progress, or on their techniques? I guess the student could send photos of work in progress and finished pieces or share in a closed group, but that just doesn’t seem to provide the degree (and kind) of feedback we like our students to have.

We really enjoy sitting with a student, talking through what they’re doing, showing, demonstrating, observing and providing constructive feedback.
P1010379

We also enjoy having our own work on display in our gallery – we can use pieces as examples of design features, setting a standard of execution, and, we hope, inspiring students on their journey.

We find that it’s so much more effective to give feedback and guidance as the student is working – this is giving feedback the student can use right there and then, rather than after a piece is finished and before the next one is started.

We’ve found, for example, that being able to watch a student position their glass cutter as they prepare to make a score allows us to help them adjust the angle, pressure and placement right there. I don’t know how we would work on that vital skill at a distance!

I could give dozens of examples of this kind of ‘up close and personal’ teaching but I’m sure you get the idea.

As students progress, and especially as they get really confident, or practice at home, we still offer a critique of their finished work at any time – and are always available to talk about displaying or mounting or framing their work too.

Both Jenny and I get a buzz from seeing work produced independently by students past and present.
And we take pride in the amazing pieces many of them have created – often using styles and techniques and materials we haven’t tried ourselves!

Design your own projects

Yes – design your own projects. They don’t have to be complex, or massive. They don’t have to follow a style, or an art era’s visual language, they just need to be yours, like this lovely window, made by Sally on a recent course with us in Porthleven.
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There are (literally) millions of projects to find on the internet, many made available free of charge by generous creators. These offer a great opportunity to develop the mechanical skills required for stained glass in your own time but before long you’ll want to make your own designs.

You’ll have to learn about cuts that are impossible or at least very hard to accomplish in glass, you’ll learn about design weaknesses resulting from lead or foil lines that cross the whole piece. You’ll have to learn about balance, colour, manipulating space and creating flow.

This post isn’t the place to teach these skills – they take time, and are often best acquired in the company of skilled tutors,

You could start with a main design element – like a rose or tree, or sun – and build a design around this – one way to design from scratch.
Study existing designs – why do the cut lines go where they do, how are the spaces and shapes balanced, do the proportions please the eye?

Read up on  golden ratios, learn how to draw circles, and find the centres of those circles (use the ‘box’ method – Google is your friend here), and get a book or two on the subject.

Maybe take elements from existing designs and incorporate them in to your own designs and discover how those elements themselves were created

And one further recommendation – learn to make those tricky scores work. Practice cutting deeper and deeper concaves, learn to cut circles accurately; this way your designs won’t have to be limited by your mechanical skills.

We often encounter novices who’ve avoided having to learn these skills by only making pieces with straight lines. Feel the fear and do it anyway!

If you lack confidence at first, use a flexi curve and a French curve, or circle stencils to develop abstract designs to make and thereby hone your skills. Some of the best stained glass we’ve seen was conceived this way. If it looks good and you enjoyed making it, nobody needs to know how you designed it in the first place!

Learning progressions with teachers – where Vitreus Art comes in!

We love what we do, and we want to help others get enjoyment from making stained glass.
This is the ethos behind out programme of classes and courses – take you from beginner to whatever level you aspire to reaching.

You won’t be surprised that  we suggest a beginner’s class to start with. In most counties you’ll find stained glass makers who offer classes – some off classes as an occasional adjunct to their main business while others (like Vitreus Art) run programmes of classes as an integral part of their operation.
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At the risk of appearing to sell you two classes where one might suffice, we usually recommend trying both traditional leading stained glass and then sampling the more modern ‘Tiffany’ or foiling  method. Unless you only intend to make foiled pieces we feel having at least a little competence in both methods hugely broadens the range of projects you can take on, as well as growing your appreciation of the history of stained glass, giving you more confidence in your abilities and aiding your understanding of the design constraints of stained glass.

But then what?

If you already have a project in mind you have two options with us –

If you’re feeling confident in your abilities you can hire a space to work in and the tools you’ll need by the day – as many days as you need to finish your project. These sessions are un-tutored but of course one of us will always be on hand to offer guidance or encouragement. You can buy your own materials or use ours, charged at cost.
Many of our students have made some fantastic work in this way and we like that way our gallery feels when students are working here!

If you’d like to combine working on your own design with a full workshop level of tuition, and with all the glass you’ll need provided, we offer weekend project workshops twice a year (and at other times by arrangement). We set a maximum size for your project in these courses to ensure you can achieve your aims without too much pressure!

We’re flexible about the kind of project you choose to work on  during our weekend workshop but we do ask that you’ll have done at least a beginner’s class in the method you’ll be using for your piece. We’re always happy to talk through your plans before you book to make sure you’re getting the best value from your course place.

And then we have our legendary 5 day courses – held in Porthleven, Cornwall and at our gallery-studio in Northamptonshire, near Milton Keynes.

Open to beginners and those with all levels of experience, these course give you the scope to tackle some really adventurous projects, or make a number of smaller pieces to develop a whole range of skills in one week.

On recent courses students have made projects ranging from highly complex mandala designs, to kaleidoscopes, to prairie-style 4-sided or 6-sided lamps, garden sculptures, windows of many shapes and sizes through to a life-size stained glass sheep to be displayed in the student’s garden!
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As with our weekend project workshops, our 5-day courses are fully tutored – and with a student to tutor ratio of 1:4 at the most there’s the scope for a really intensive learning experience.

Our course in Porthleven can be equally thought of as a artistic retreat, a creative holiday and a stained glass course!
We love teaching this course as the range of challenges our students bring to us broadens our own experience, and the environment of our studio right by the sea in a delightful Cornish fishing harbour inspires us as well as our students…

And back at our studio, our October 5-day course gives us the scope to host smaller class sizes for even more personal attention, usually for the most sophisticated projects. As with our other courses, we’ll work with you on your design in advance – to make sure it’s achievable and will withstand transport, hanging or mounting.

The final option for budding stained glass artists is to work with us to develop a programme of learning focused on achieving exactly what you want to achieve – which may involve exercises to develop skills, joint projects where we work with you on your project (like the 4 door windows below) or a weekly or monthly series of projects to test particular aspects of the art (and craft) or stained glass.
Dscf0733So there we have it – if you want to get in to stained glass – for a hobby, to make a project with sentimental significance, for your home, or even to sell, get in touch and we’ll help you get started on your journey!

Mike

 

 

 

 

Would you like to learn how to make stained glass on holiday in Cornwall?

Boats in the harbour at Porthleven, venue for our stained glass holiday workshop
Porthleven - venue for the Vitreus Art 5-day stained glass workshop - October 2011

Learn to make stained glass in an inspiring setting in Cornwall

Well, painting holidays are all the rage – enjoy a holiday and improve your painting – so Jenny and I (Vitreus Art) decided late last year to set up a 5-day stained glass workshop in Cornwall.

We’ve been consistently delighted by how many people sign up for our one-day classes.
And we’ve always been surprised by the variety of folks that come along – young and old, male and female, artistic or just plain interested, well off folks for whom the £120 we charge is nothing, and people who have saved up – there’s no pattern, and we welcome you all!

But who will come on our 5-day workshop?
Well, we know they have the money – and time – to spend on something that is, frankly, an indulgence.
We hope it will be a holiday too – although in October the weather in Porthleven, very near the furthest southerly point on mainland UK, won’t be summery!

But what is a holiday? I’ve always thought of a holiday as a time to unwind from the strains of modern living, maybe leave the car alone for a few days, and the chance to switch my mind off from the routine. Oh, and I like to discover new things. What about you?

A venue by the sea in Porthleven Harbour

We can certainly promise you that you’ll discover new things if you’re able to join us in October in Cornwall. We pride ourselves in creating a fun, inspiring, and creative environment on our one-day classes, and down in the Lifeboat House art studio that will be our venue, the group will be able to savour the salty air and ever-changing colours and light of the ocean – for the studio is right on the edge of the rocks in Porthleven Harbour.

We’ve experienced the quality of the light one gets in West Cornwall to0 – the light that inspired Barbara Hepworth, Peter Lanyon, Ben Nicholson, and so many others. Indeed, the Tate St Ives and Newlyn art galleries are both about 20-30 minutes from our venue and we’ve allowed time to explore in the itinerary. After all – it’s a holiday!

Time to unwind – it’s not all about stained glass!

We’ve chosen Porthleven as our venue for some very good reasons!

  • It has a good range of smart accomodation – a far cry from much of tourist Britain!
  • It has some lovely restaurants – for all budgets and levels of formality.
  • We know the area very well and can advise on things to do and places to go in the downtime.
  • It’s a great place, with a sense of art and real life at every turn.
  • It has the Ship Inn – my (Mike’s) favourite pub in the country!
  • Oh – and it has the perfect venue in the Lifeboat House Art studio – converted from a lifeboat house (you guessed!).

So if you want to learn to make stained glass (or improve skills you already have), have a break away from regular life, get some refreshing sea air in your lungs, enjoy fine food and nice pubs in a fascinating setting, we’d love to hear from you!

Full details, including what we do on the workshop, where to stay, what there is to see and do nearby, plus info about the venue itself is all on the Vitreus Art website – link here.

Do leave a comment or get in touch if you know this part of Cornwall – it’s special to us and we hope it will be to you too!

Mike